italian records strikes again with another retro-futuristic step through its kult 80s catalog. in the late 70s gaznevada has been one of the most relevant italian punk-wave band coming to light from italian underground scene. in 1982 with i.c. love affair gaznevada moved from post-punk to new-wave pop electronic, this tune is, without any doubt, considered as a proto-house disco, an anthem on the most important clubs all over the world. for this special 2015 release italian records included in the package reconstructions by i-robots and giangi cappai, the already well know munk edit and finally & officially the david depino edit

markantonio can rightly be described as one of italys true techno titans, working tirelessly as he has since the late nineties to bring the tougher side electronic music into the light. recording for labels such as marco carolas design music, billy nastys tortured records and umeks recycled loops, markantonio has spent the last 16 years on the cutting edge of quality techno but it was with the launch of his analytic trail imprint in 2001 that he perhaps truly came into his own. the label became a hotbed for emerging and established names as markantonios own productions sat alongside releases from the likes of jospeh capriati, davide squillace, rino cerrone, & paco osuna. away from the studio he established himself as a global dj, taking his own unique sound on to the road, across europe and beyond and garnering fans wherever he went.

gcw lovingly presents the debut album of a mr paxton fettel. to cut not a particularly long story short, you’re in for a real treat. everything stays the same is a beautifully conceived work of house music which delves in depth and diversity, tapping into the old bittersweet emotion. it s a true labour of love presented in double lp format.

digital & response with a 3 track drum & bass vinyl

die zehn dub reworks von songs aus finks letztjährigem meisterwerk -hard believer- sind inspiriert von fin greenalls neuer heimat berlin und sein immer wieder aufkeimendes interesse an elektronischen produktionen. der englische singer/songwriter war bereits in den 90er jahren ein gefragter club-dj und electronic-produzent, bevor er mit seinen bandkollegen guy whittaker und thim thornton mit der band fink durchstartete und die welt erobert. auf -horizontalism- gelingt fink ein wundervoller musikalischer nachschlag zum album -hard believer-

nice price deal !!! after a year of silence, the mosso imprint returns with a new record charged with perfectly crafted percussions, hypnotic basses and the unmistakable mosso rhythms. 2014 was a calm and introspective year for alejandro, who spent the most part of it writing a soon to see the light album and a series of singles for 2015. ! the catalogue 006 is a blunt call to your feet and basic impulses. it awakens your deepest nomad nature and puts you in movement for the next adventure. ! the a side opens the record and immediately pushes you into the water flow of the dobagan river from where it takes its name. meandering melodies carried by rolling waves, so vigorous that it feels impossible to escape, driving you until the very end of the stream. a sound journey thru north argentinian landscapes. ! formosa on the b side, pulls you against the tide in a slower but not less seductive manner. a laid-back pace of precisely tailored congas opens up the way to a drifting pad filled with tension, slowly swallowing you into an unknown territory. it feels exotic and unexplored, yet so undeniably pleasant.

now a regular member of the figure roster, young portugese talent lewis fautzi resurfaces again, fresh off the back of an inspired full-length debut for soma records. continuing with his own take on the darker, trippier end of the techno spectrum, we re treated to 4 new tracks, beautifully sequenced and alive with energy. from the depths of fautzi s studio, >signal of the light< emerges with its deep resonant acid tones and broken beats. setting the mood, fautzi then unlocks the monster inside with three club-designed cuts that rattle, fizz, gyrate and swell with precision intensity. a name to keep an eye on without a doubt, its no surprise this young man s vision of modern techno is finding its way into dj s sets far and wide.

i entered rapidly in the darkness, searching for a secure place, i cheated myself, i walked through paths travelled by those ones who get lost. i’ve dreamt many times the light in the distance always bumping into an illusion, the illusion in my mind. i ask to calm down to the screams in my ears, to cease to the voices in my mind. i look lost around me, nothing is in possession of my senses anymore. i fall, asleep.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

finefood records is very excited to release safka ep by two very promising swiss artists, marco da mata & ema. light and airy yet slave to an unrelenting dance floor beat, this original track, while being wild as a lion, is restrained by intricate melodies and tamed by haunting whispering voices.

limited edition blue marbled pressing of the debut lp by kiyoko aka synkro & bering strait.

scrambled messages from the overlast galaxy. dude, wtf is that? its so dope. convextion (dallas)

it takes time for a series of seperate ideas to evolve into a fully concepteptualized album if it wants to have a place in history for ali and basti schwarz, better known as tiefschwarz. since 1998 the duo, as both djs and producers, have perfected the art of dominating the moments only experienced on a dance floor, deeply immersed in sound. their music is unique as it is creative. the double vinyl lp includes a download code.

bleed take the leap from running revolutionary london clubnights, to releasing records, with a fitting debut release from mr bleed himself, casper volte-face clark in the form of a 12inch ep, charlatan

doubtingthomas has recently got a lot of love, and his new two-tracker on mayak shows why. * telegraph* delivers dance rhythms with the speed of light. on the other side - hypnotic groove of * taking control* comes through the bones and makes your skin go goosebump.

its been three intense years now since the formerly tel aviv-based dj, producer and girl scout-leader magit cacoon hooked up with the upon.you family back in 2012 after relocating herself to berlin and making some serious waves on the cities - and of course the european - club circuit.

following his eps *remember* (music of deep intrigue, cloaked in an atmospheric fog - resident advisor) and *when the watchman saw the light*, gacha returns to apollo records with another contemplative and composed record, his debut album *send two sunsets*. the album spans many moods and textures - the sparse pads of opening/closing tracks *abandoned city* and *blue distance*, soothing static of *waterfall* and guitar work. limited edition translucent blue vinyl with download code included.

focusing on deep and raw vibes, strictly wax and classic beats, the - montee louis ep- has been directly imported from bellevue ii, libreville gabon, africa & it has been produced by the great bernard da smoove. mpc-filtered deep house with some darker & menacing rhythms, a1 - hudson budd- kicks off the a1 with a meaty 4/4 kick drum which slowly finds itself surrounded by ghostly pads and even more haunting synths. a2 - thrawbock- mutates into a more light hearted house jam for the heads, with its vocal infectious sample. b1 - strctly move - goes back into familiar, smooth deep house territories but still retains his magic touch, able to transform even the deepest of basslines into something both unusual and musical at the same time. b2 & b3 thrawbock 88 & strctly move 88 are the 90s hip-hop (!!!) versions of the same tracks above : insane !! first time we heard it we thought, hell yeah, the production is just terrific & indeed there s a timeless quality to the intricately programmed drum machine rhythms, the drifting chords, warm

stratford-raised denai moore signed to london independent label, because music (metronomy, little dragon, django django…) and then ben drew was in touch hed heard a couple of denais songs and wanted to work with her on production, eventually producing the lake ep in 2013 (hes since signed her to his publishing company)

illusion limited is the limited press sister label to illusion recordings. the label will shine light on new artists and sounds not currently represented on illusion. the first release kicks off with the highly talented manchester based artist seelie who delivers two slices of subtle, classy deep house. this ep has been a while in the making and shows a real development in seelie s sound from classic house to deep textured and hypnotic house. blm provides a huge remix on the a side stripping things back and letting the analogue bline and minimaistic drums create a heady, yet dancefloor track. dilated pupils provide a unqiue broken beat remix of the hypnotic desire on the b-side to round things off and kick off this label in style.

django django became known from their electric live performances full of energy, and went on to play memorable shows at festivals across the globe including as glastonbury and fuji rock. born under saturn is the work of a band fired up by confidence and experience and propelled way beyond their diy roots. it has all of the imagination of their debut self-titled album but splashed across a larger canvas.

the mighty geena is back on antinote with a new ep filled with deepest psychedelic goodness and spaced surprises. comes housed in a glorious printed sleeve! tip! side a starts with -tone loc- a heavy geenafied future classic, complete with signature celestial pan pipes and a deeper than deep bassline, together building in intensity with muted distant vocals adding to the sweet heady confusion. the next track -minus jam- is on a similar path of ecstatic disorientation, with spinning delayed glass toms supervised by the darkest dictatorial bass line confirming geena is a master of light and dark. side 2 continues with -box of exotica- where we are sent to a dreamy post blade runner musical world of traditional and futuristic collision augmented with beautiful and equally dark japanese stick music vocals. the last track -green resident- also walks the cosmic path found throughout this gorgeous ep, softer at first than the others, but the silky darkness soon seeps in bringing cosmic order to geenaland.

mittlerweile ist es bereits sechs jahre her, dass nosaj thing (auch bekannt als produzent jason chung) das erste mal im dunstkreis der low-end-theory produzenten garde aus los angeles aufgetaucht ist. nach dem futuristischen debüt *drift* und dem ersten album für innovative leisure, *home* (2013), erscheint mit *fated* nun ein album, bei dem der sound zeit hatte zu reifen. indem er alles hat wegfallen lassen, was er nicht als wichtig erachtete, hat chung einen sound mit bemerkenswerter direktheit und emotionalem potenzial geschaffen. dennoch: passend für einen künstler, der bereits charlotte gainsbourg und the xx geremixt, mit toro y moi und kendrick lamar zusammengearbeitet hat und mit james blake auf tour gegangen ist, lässt sich nosaj thing nicht so einfach einordnen. es ist nicht ganz klar, was *fated* ist: mal idm, hip hop, ambient und dann wiederum pop. was aber klar ist: wie weit nosaj thing bereits gekommen ist ...
die lp erscheint auf weißem vinyl inklusive downloadcode.

the mysterious duo project overall severity landed on fabrizio lapiana s attic music with an intense three track ep called -helene-, second installment of the new hurricane series. on the first side, in -vario 7288- they make an intricate journey immersed in a dark noir melody with powerful techno rhythms and plenty of alien sounds. -unable to assess- on the b-side turns into a hypnotic-linear sound focused on an obsessive and scientific atmosphere where the loopy drums light the way. an ambient flow closes this work, -emotional harm- is an evocative result of accurate sound design full of bleep, breaks and distorted chords.

after the last lessizmore release found san proper and maayan nidam crossing swords for the simmering, jammed-out tones of it was a night like this, now the label turns to another close ally for a slice of discerning, upfront house music. louis mcguire lives many different lives in music, from drumming with indie pop outfit ballet school to playing bass for lo-fi electronica group the waves & us. now though his own solo productions are being noticed in the house and techno world, with this new ep following on from a well-received debut on supply records. the diversity of mcguire’s musical leanings feeds into his distinctive sound, as his own take on stripped down, sensual house music bristles with unconventional energy to make for an unforgettable experience that steps up to the most creative frontiers of dance music. live drum sounds rattle around the mix free from quantized safety, while the melodic tones come on warm and fuzzy, capturing the hazy romance of a late morning session as much as the early part of the evening. it’s apparent that mcguire’s weapon of choice is the mpc, channeling his love of gritty beats in the grand tradition of point g and j. dilla. you can hear the spirit of the most adventurous micro house pioneers in the quirky funk of light hearted, while Óreitha revels in the transcendental qualities of a sustained groove without even a whisper of monotony. even with these unusual qualities the music is resolutely built for the dancefloor, and that mcguire manages to be so creative and so focused in the same beat is reason enough to keep tabs on this multifarious and unpredictable operator.

electronic music approximately 35 years after bands like kraftwerk opened the magic box. a lot happened since then and it seems all is said, done and invented. however it is almost surprising that new things still pop up here and there when it comes to electronic music production.

for its second release ryc has decided to showcase rome and barcelona, two cities with both a very healthy upcoming techno scene. for this second release giorgio gigli & fabrizio lapiana has decided to team up representing rome, as nx1 and error etica will be in full support of barcelona.

the self-titled 1969 album from the velvet underground back on heavyweight 180 gram vinyl

new years deal - at times pacing, yet soothing and even a little narcotized, this is music for cruising, home listening and dancing, for making out and romancing.

superlounge team up with forrest for *all on me*, with remixes coming from eric volta, maher daniel and hands free & kosmas.

tuskegee music was launched in may of 2014 by seth troxler and the martinez brothers. as a label of cultural heritage the intention is to package up 90s-minded 12inchs that reach into the heart of paradise garage and shed a light on a fertile period of influence in dance musics history. now - a year on from its inception - seth offers up just back a brooding 2-track ep that demonstrates perfectly his ability to control tension to rapturous effect and finally satisfies the vehement anticipation bubbling between his peers with whats set to be seths biggest and most important record to date.

the title track is a monstrous cut designed to get floors sweaty. with its futuristic synth smears, blasts of white noise and slick rubbery beats it is impossible to ignore. full of atmosphere and some ghoulish voices, it s a fine affair from this italian master. the malandra jr remix is even more tense, with industrial machine sounds zipping and fizzing about in a progressive groove, whilst martin patino deconstructs the whole thing and re-builds it as a jazzy minimal affair with sick chords, smears of colourful light and plenty of charisma. lastly, eddy romero & frink go for a dark, dubby, stripped back number that will please the real heads out there.

sworn virgins is one of the many perverted projects from the blossoming mind of mutado pintado, legendary vocalist for paranoid london and save (the light was such a hit for us), head of warmduscher, general purveyor of chaos and diy videos. so this is all about rage and bits of broken down computer melted in tar, and this is probably our strongest release yet. we will let you look for what a sworn virgin actually is

limited repress without cover artwork.
the second single from francis harris debut full length, leland contains three remixes of pharoah in the morning,one of the highlight tracks on the album featuring the phenomenal vocal talents of danish singer gry who performs here in here native tongue. two entirely distinctive remixes come courtesy of labelmate black light smoke and the other is by nsi., who should need no introduction. pharoah in the morning remixes will be out on limited edition vinyl from scissor and thread soon. look for leland in february 2012.

johanna knutsson and hans berg s second output from their ufo station recordings is a piece of inspiriting space techno. music that reduces the force of gravity and makes your feet feel light and springy. music that makes you lift your head and gaze dreamily out the panorama windows as glittering melodies trickle down your spine, making you shudder with pleasure. a record overflowing with profound yet tender caresses of sound from the alien duo that will light up dance floors all across the galaxy.

with iyewaye, the first solo-ep after the release of his fifth album i am ok last year, oliver koletzki shows himself in a new, but not altogether unfamiliar light: since his breakthrough in 2005 with der mückenschwarm koletzki hasnt sounded this hard. gone is the pop-angle, replaced by a dark sound-aesthetic and raw energy. but even here, in the techno realm, oliver koletzki demonstrates his inimitable sense for melody: thus, the gloomy and driving framework of iyewaye is lit up by a crystal-clear synth-sequence. similarly, ipuza, which hypnotizes by way of reduction and repetition, is funky in its core thanks to a rolling tribal groove. functional, but with heart and soul.

sk_eleven is a new imprint focused on releasing original tracks from setaoc mass, uk. this venture will showcase old and new material with a view for quality, classy dance floor techno in its purest form.
setaoc mass - codes ep derives from where he spent most of his life, in and around manchester. the first release on sk_eleven showcases his style and love for tripped out melodies and driving low end. always adding the light to the dark in his productions.

as we move into a new year, again start the cogs of labels and artists around the world, this is certainly the case for disc over music as they bring us their first release of 2015. high off the back of exquisite releases in 2014 from luca lozano & mr. ho and nicson, disc over’s first installment of 2015 comes from label head tim green - a three track ep bursting with two classic tg productions and grooves which is then given another dimension with a remix from the talented german born producer borrowed identity. the ep kicks off with the aptly named ‘scar’ - a track which when heard, truly makes it mark. it sets the tone for the rest of the ep with it’s prominent bassline and haunting howls whilst dreamlike keys bounce and float above. track two, ‘we thought’ is taken down a gear but keeps all of the groove built from ‘scar’. it begins with a simple trademark tg bassline and is allied with light and free singular keys. the listener is then joined by vocals which along with the previous elements take you on a real trip. borrowed identity speeds things up right away with his remix of ‘we thought’. the track is morphed into a dancefloor groove with the comforting vocals darkened, cut and reworked on top of an unpredictable and fluctuating bassline. managing to keep the identity of tim’s original the track becomes something completely different and certainly makes you feel you want to take the trip

2015 sees the return of welsh psychedelicists white noise sound with their second album *like a pyramid of fire*. the vinyl lp includes a download code.

third ear have selected four deeply satisfying jams by orlando voorn, demonstrating a masters touch with rhythm and sound.

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.
180 gram / vinyl only release.

with, once again, an excellent melt of raggatek and ragga jungle, with a light spacious feeling, very uk style. this time mandidextrous invite c3b, famous uk to pull out a non-stop saxo raggatek track^^ funny stuff! also there: mitosis to throw a blaster hiphop tribecore track... a side belong to mandisha ... with 2 even better tunes to my point of view. the race has begun! this selecta all based on party tested-tunes. no darkness! good vibes & good persons only! raggatek squatt partypower!

as the popularity of footwork has continued to soar, the range of sounds within the genre has expanded. from the angular, minimal beats of rp boo to the widely admired sound of sadly departed dj rashad, the genre has lovingly seeped into hearts and feet worldwide whilst continuing to innovate. until now most of the focus has been on the male dj/producers, but that is about to change. gary based producer jlin, who some of you might remember for her track *erotic heat* (bangs and works vol.2 – planet mu 2011), or from her moment in the mainstream light providing music for fashion designer rick owens f/w 14 paris runway show, is stepping further into the light with a stunning eleven track debut album *dark energy* showcasing her unique and bold new sound.

bring music to life, under its most beautiful form: this is the la claps one and only vocation. podcasts and clubs werent enough anymore. we ought to make music last, burning it deep into acetate grooves, leaving a physical evidence of this irrepressible need for sharing. the light was brought to us by the surprising encounter of the duo dubsons and alex celler. this light was given a name, eta carinae, an extended play depicting an entire world. the reflection of a microcosm made of artists and music enthusiasts that move mountains beneath the surface of the earth. eta carinae is the timeless crystallisation of this musical universe that moves us.

as an la native based in paris, louisahhh!!! has a music style tha’s core is fuelled by hard and deep production paired alongside a tough and tender touch. lousiahhh!!!s distinctive sound has been perfected over the years establishing herself as a unique artist, renowned for her juxtaposition of darkness against light. the new friction collaboration features dark and sensual productions overlaid with louisahhh!!!s smoky and enigmatic voice resulting in a selection of tracks which together are made to both enchant and transport you into louisahhh!!! and maelstroms twisted world. louisahhh! collaborated with banks by performing support slot shows across her headline tour dates throughout france late last year

kann selected another proper * family horror* 8 track compilation with both renowned and new faces, after the first edition saw the day of light in 2011. check out the range that represents their own vision of spacey house & deeper techno nowadays. for this reissued family celebration the following relatives joined the stock: pablo mateo from hot burning lack rec., knutsson / berg - a sweet swedish collaboration of hans berg and johanna knutsson, llewellyn aka lake people, hiver from curle recordings fame and more of the label’s local connections such as perm the analog prince, falke, qy and alkohole.

attention please, w’d like to shine a light on the man whose records would come to define many a numbers party, who once described his music as for the strippers, for the street. the original master of ghetto house, the one and only dj deeon.

we are well into 2015 already, so it is time for our second release of this year. this time we have the pleasure to present you the excellent duo i/y to make their debute on dr, backed up with 2 remixes from acronym. pressing on light blue colored & marbled vinyl.

jonas rathsman marks the inaugural release on the newly established method white label, a club focused imprint from disclosure ’s method records that will deliver an on-going series of one-off releases available digitally and on a limited run of vinyl. “method white is going to be a platform to release some of our favourite music being created right now, that we feel represents the best of the best of underground electronic music today. we also want to take this further by djing alongside some of the acts who s music we release in our wild life events” - disclosure. jonas has gone a long way to prove his value to the dance music community, his releases on french express and remixes for the likes of london grammar, tensnake, duke dumont and sam smith have established rathsman as a driven and forward thinking producer and dj. with ‘wolfsbane’, jonas introduces the first installment on method white and like the flow er it’s named after, the track is just as deadly as it is beautiful. the track has already been a staple among sets from disclosure, huxley, duke dumont, justin martin and solomun among others with jonas perfecting a mix of dark and light while taking the impact of his drops to all new levels. with forthcoming dates including a six-date foray into north america in february, festival performances to come at bestival, lost village, hideout, parklife and the debut wild life festival in june,there are plenty of chances tocatch rathsman doing what he does best - working a crowd.